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Dancing Disability Lab

ABOUT

The first (2019) Dancing Disability Lab was designed to offer experienced and emerging disabled dance artists from across the world an immersive engagement in disability studies scholarship alongside movement exploration and choreographic inquiry. Participants joined one another in the creation of dance/performance work that challenged “ability paradigms.”

The 2022 Dancing Disability Lab developed these ideas during a week-long residency where participating artists offered one another workshops, and initiated “Hot Topic” discussions.  Participants shared ideas and experience that invited one another to consider how we represent, look at, transform, and challenge ideas about the body, and personhood. At the center of this uniquely designed process is the notion that aesthetic production (dance) can serve as a change agent for the continued progress of disability justice.

 

Photo of two dancers, Harmanie Taylor and Alice Sheppard, both using wheelchairs. Their face each other, their arms reaching up. Harmanie looks up to the ceiling, and Alice, whose back is to the camera, leans forward, lifting her wheelchair's wheels a few inches off the ground.

“Dance represents people and our values and ideas.”

-Victoria Marks

THE PROGRAM

The 2023 Dancing Disability Lab, directed by Choreographer and UCLA professor Victoria Marks and co-led by India Harville, dancer/dance maker and equity advisor returned with in-person dates on July 17-24, 2023.

The Lab continued its commitment to support the growth of artistic community amongst dance artists with disabilities, advocating for aesthetic perspectives informed by diverse corporeal experience. The Lab continued with a participant-leadership structure. The focus was on sharing artistic practice, prompts for group movement and individual exploration, and topics for discussion, generated by artist participants. Seeking to align disability justice with creative practice, the Lab was committed to the project of providing an anti-racist, anti-ableist, non-binary, anti-ageist, environment for all, and to build a diverse cohort of artist-participants.

Facilities in UCLA’s Kaufman Hall included a dance studio, a quiet room, and a conference room. The Lab supplied nearby accessible accommodations and addressed all studio and discussion-based access needs with professional providers. All artist participants received a stipend and had their travel and accommodations covered.

The Dancing Disability Lab operated with support from the Mellon Foundation and UCLA’s Division of Undergraduate Education, School of the Arts and Architecture, and Office of Equity Diversity and Inclusion.

 Recap: UCLA Dancing Disability Lab Open Studio

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